Skip to main content

Salvation

 Salvation


The writers. Control the theme of the medieval setting in the field. Each time an entity fights another, and wins, the entire system absorbs the lost soul and speeds up the bubble time and further evolves the entities in the field. Almost game like, once you enter you can't escape.

Am esper who is powerful warps reality by telling other players what they are in death, and it becomes a battle of the wills to see how strong each other could hold onto their form. She manages to vanquish quite a few, and immediately glows up, with a significant contribution to the timeline where everyone experiences a quick upgrade in consciousness/which is analogous to time. 


Forewatcher a community in the fields. 


Hunchback baby on a freight steamer. Punishment for petty crime.

Comments

Popular posts from this blog

ABSURDISM, EXISTENTIALISM, FREE WILL, POSTMODERNISM

 After the war, Introduction The first world war threw society into a state of disillusionment, and a fracturing of the staunch belief in morals became prominent, sparking literary advancements that challenged romantic ideals, advocating for a new perception of stability and sensibilities. In the poem Gerontion by T.S. Elliot, the modernist stance of fragmentation and the pursuit of purpose lies in man’s actualization of himself. Meanwhile, Samuel Beckett’s waiting for Godot written in the post-war environment of World War II can be viewed as an attack on modernism, rejecting its ideological claims to legitimise purposeful meaning that interprets the world of Estragon and Vladimir with a Grand Existential Narrative . Nonetheless, both these arguments provide a post-war lens that views life without inherent importance nor singular purpose/essence, resulting in the rise of ‘absurdism’— a search for answers in a world that offers no true answer . In this essay, the aforementioned conc...

Bredlik

 https://yeahwrite.me/writing-help-bredlik/ Bredlik isn’t as easy as it looks, folks. It’s a very tight form with very tight parameters. Technically bredlik is four lines (two rhyming couplets) in iambic tetrameter, or two stanzas of four lines each in iambic diameter with an ABCB rhyme scheme. The other thing that bredlik has going on is that the original poet took inspiration for the poem not only from the incident but from the fact that it happened in a re-enactor setting. So he used 18th century spellings (or reasonable facsimiles thereof) for some of the words.

Manglish and its Cina Particles

"The ubiquitous word lah ( [lɑ́]   or   [lɑ̂] ), used at the end of a sentence, can also be described as a particle that simultaneously asserts a position and entices solidarity.  Note that 'lah' is often written after a space for clarity, but there is never a pause before it. This is because originally in Malay, 'lah' is appended to the end of the word and is not a separate word by itself." SNEAKING SUSPICION: "lah" was originally from the Cantonese practicing south of China. The land of Malaya had relations with China since the Ming dynasty, when China was the protector of the Malaccan Sultanate (maybe even from the 5th-6th century), and the use of la as a sentence-suffix particle got integrated into the Malay language its formation, probably during the second phase is Early Modern Malay (1500-ca. 1850) that witnessed the indigenization of Arabic loan words, changes in the affix system, and a rather liberal word order.  Confirmation alternatives: ...