Skip to main content

Portfolio

Faith Foo is a young artist who enjoys exploring utilitarian concepts through mixed media. He primarily crafts miniature sculptures, traditional prints, and an array of prose and poetry. Since 2014, his art has been showcased and collected across Southeast Asia, through which he hopes can inspire audiences with themes centred on growth and regrowth.


Faith Foo is a young artist experimenting with utilitarian ideals through mixed media. He creates miniature sculptures, traditional prints, as well as a variety of prose and poetry throughout his 3 years in Nottingham Malaysia's school of English with Creative Writing. His works have been exhibited and collected in Southeast Asia since 2014, through which he hopes to inspire viewers and readers with the mindset of growth and regrowth

Comments

Popular posts from this blog

Bredlik

 https://yeahwrite.me/writing-help-bredlik/ Bredlik isn’t as easy as it looks, folks. It’s a very tight form with very tight parameters. Technically bredlik is four lines (two rhyming couplets) in iambic tetrameter, or two stanzas of four lines each in iambic diameter with an ABCB rhyme scheme. The other thing that bredlik has going on is that the original poet took inspiration for the poem not only from the incident but from the fact that it happened in a re-enactor setting. So he used 18th century spellings (or reasonable facsimiles thereof) for some of the words.

ABSURDISM, EXISTENTIALISM, FREE WILL, POSTMODERNISM

 After the war, Introduction The first world war threw society into a state of disillusionment, and a fracturing of the staunch belief in morals became prominent, sparking literary advancements that challenged romantic ideals, advocating for a new perception of stability and sensibilities. In the poem Gerontion by T.S. Elliot, the modernist stance of fragmentation and the pursuit of purpose lies in man’s actualization of himself. Meanwhile, Samuel Beckett’s waiting for Godot written in the post-war environment of World War II can be viewed as an attack on modernism, rejecting its ideological claims to legitimise purposeful meaning that interprets the world of Estragon and Vladimir with a Grand Existential Narrative . Nonetheless, both these arguments provide a post-war lens that views life without inherent importance nor singular purpose/essence, resulting in the rise of ‘absurdism’— a search for answers in a world that offers no true answer . In this essay, the aforementioned conc...
  A quiet place Lit umbrella Empty at times At others Tripping with wires White light Once Bright burning flavescent Yellow and crumpling in its notes. Then the umbrella folds. Another takes its place. Life in the Dark Room.