Skip to main content

 You are a goddess,

and I am a simple

being, trembling beneath

the weight of your presence.


I believed you would heal me—

wrap me in silken light,

stroke the knots of my sorrow

until they unraveled into grace.

And you said,

“Sure, let’s begin.”


But what I meant wasn’t this.

What I thought was gentleness

wasn’t the fire you lit in me.

I thought healing would be

soft and sensual,

a balm against my bruises,

a dream made flesh,

a cocoon for my desires.


Not this—

this unmasking,

this shattering of the mirror

that held the fragile portrait of my persona.

Not this pain, raw and unrelenting,

flaying my illusions one by one

until I stood exposed,

naked in your gaze.


You loved me in the discomfort,

held me in the discovery,

kissed the breaking open

as though it were a blessing.


And perhaps it is.

Perhaps healing isn’t soft,

but sharp, jagged, alive.

Perhaps the only way to live

is to be pierced by it,

to be stripped of every lie

until the truth shines

like a wound,

like a gift.


And so I stand,

shivering in this unmaking,

no longer sure where I begin

or end.


Your hands are not kind,

but they are sure—

sculptor’s hands,

breaking me apart to rebuild

a thing I cannot yet fathom.


“Trust,” you whisper,

though it sounds like thunder.

And I do,

though the trust tastes of blood,

though it feels like falling

into endless sky.


Your eyes burn

with something ancient,

and I realize—

you are not here to save me.

You are here to remind me

I was never broken,

only buried

beneath the weight

of my own forgetting.


✍️ Larson Langston 


Artist: Mikki Lee

Comments

Popular posts from this blog

ABSURDISM, EXISTENTIALISM, FREE WILL, POSTMODERNISM

 After the war, Introduction The first world war threw society into a state of disillusionment, and a fracturing of the staunch belief in morals became prominent, sparking literary advancements that challenged romantic ideals, advocating for a new perception of stability and sensibilities. In the poem Gerontion by T.S. Elliot, the modernist stance of fragmentation and the pursuit of purpose lies in man’s actualization of himself. Meanwhile, Samuel Beckett’s waiting for Godot written in the post-war environment of World War II can be viewed as an attack on modernism, rejecting its ideological claims to legitimise purposeful meaning that interprets the world of Estragon and Vladimir with a Grand Existential Narrative . Nonetheless, both these arguments provide a post-war lens that views life without inherent importance nor singular purpose/essence, resulting in the rise of ‘absurdism’— a search for answers in a world that offers no true answer . In this essay, the aforementioned conc...

Bredlik

 https://yeahwrite.me/writing-help-bredlik/ Bredlik isn’t as easy as it looks, folks. It’s a very tight form with very tight parameters. Technically bredlik is four lines (two rhyming couplets) in iambic tetrameter, or two stanzas of four lines each in iambic diameter with an ABCB rhyme scheme. The other thing that bredlik has going on is that the original poet took inspiration for the poem not only from the incident but from the fact that it happened in a re-enactor setting. So he used 18th century spellings (or reasonable facsimiles thereof) for some of the words.

Manglish and its Cina Particles

"The ubiquitous word lah ( [lɑ́]   or   [lɑ̂] ), used at the end of a sentence, can also be described as a particle that simultaneously asserts a position and entices solidarity.  Note that 'lah' is often written after a space for clarity, but there is never a pause before it. This is because originally in Malay, 'lah' is appended to the end of the word and is not a separate word by itself." SNEAKING SUSPICION: "lah" was originally from the Cantonese practicing south of China. The land of Malaya had relations with China since the Ming dynasty, when China was the protector of the Malaccan Sultanate (maybe even from the 5th-6th century), and the use of la as a sentence-suffix particle got integrated into the Malay language its formation, probably during the second phase is Early Modern Malay (1500-ca. 1850) that witnessed the indigenization of Arabic loan words, changes in the affix system, and a rather liberal word order.  Confirmation alternatives: ...