Skip to main content

Quality projection mapped plays (site-specific)

Proposed Structure for the Deck


(Waring Wayang - fairuzsulaiman)


1. Executive Summary


Introduction to the concept of a Play-Theatre/Movie Hybrid


The core vision: Merging literature, drama, and projection mapping to create immersive site-specific performances in KL


Why now? KL’s evolving arts ecosystem and placemaking efforts create the perfect opportunity


Expected outcomes: Cultural revitalization, new tourism opportunities, and interdisciplinary artistic collaborations



2. Background & Market Analysis


The State of the Arts in KL:


Growing interest in experimental theatre, site-specific performances, and digital art


Existing arts institutions (e.g., Five Arts Centre, klpac, PJPAC) and independent theatre movements


Placemaking trends: revitalization of heritage spaces (e.g., REXKL, Zhongshan Building, Sentul Depot)



Technology in the Arts:


Projection mapping as an emerging art form in global and local contexts


The rising use of digital storytelling in theatre, museums, and public installations



Gaps & Opportunities:


KL lacks a dedicated interdisciplinary space for live theatre x digital art experiences


Many heritage buildings remain underutilized for cultural programming


Audience craving immersive, non-traditional theatre experiences




3. Case Studies & Global References


International Case Studies


"Le Mouvement de l’Air" (France) – A projection-based theatre piece merging dance and light mapping


"Van Gogh Alive" – An immersive art exhibition showcasing how projection mapping attracts mass audiences


Berlin’s Festival of Lights – How heritage buildings become storytelling mediums through light projections



Local Inspirations


KL’s LINC Mall: Digital art installations in a commercial setting


George Town Festival: Site-specific performances using heritage spaces


The Light Project by Filamen: Malaysian artists using projection mapping for placemaking




4. Project Concept & Execution Plan


Artistic Direction:


Hybrid performances: Live actors + Digital projection storytelling


Site-specific adaptations: KL heritage buildings as interactive “stages”


Themes: Local literature, history, folklore, and contemporary narratives



Technical Execution:


Projection mapping techniques: Compartmentalized illumination, layered visuals, actor integration


Equipment and skill requirements: Projectors, software, digital animation teams, sound design



Pilot Project Proposal:


Location Options: (e.g., REXKL, Sentul Depot, Kwai Chai Hong, old Panggung Bandaraya)


Pilot Production: Adapting a classic Malaysian novel/play into a 45-60 min projection-mapped performance




5. Potential Collaborators & Partners


Theatre & Performing Arts Groups


Five Arts Centre, klpac, Instant Café Theatre



Projection & Digital Art Experts


Filamen, No-to-Scale, Liew Kwai Fei, TRIN**



Heritage & Placemaking Organizations


Think City, Arts-ED Penang, Cultural Economy Development Agency (CENDANA)



Corporate & Institutional Sponsors


Real estate developers with heritage assets (e.g., YTL Land, Think City, UDA Holdings)


Tourism & cultural agencies (e.g., Malaysia Tourism, MyCreative Ventures)


Tech companies (e.g., Epson, Christie Digital, Panasonic for projection equipment sponsorships)




6. Budget & Funding Strategy


Projected Costs: Venue rental, projection tech, artist fees, production costs


Revenue Streams: Ticketed performances, cultural tourism partnerships, corporate sponsorships


Grant Opportunities: CENDANA, MyCreative Ventures, Tourism Malaysia cultural grants



7. Next Steps & Call to Action


Stakeholder Engagement: Meetings with potential partners, securing initial funding


Feasibility Study & Pilot Testing: Identifying locations, testing projection techniques


Public & Media Engagement: Social media teasers, investor showcases, collaborations with arts festivals



Comments

Popular posts from this blog

East and West (religion seeking community and individuality)

 The trend of religion in each state. religion is primed to feed the soul what it lacks.  East communal spirit, people are bonded through their societal role, erasing individuality in the sense where they are intrinsically empowered through 'free' thoughts of expressing whatever they like. Religion will be focusing on the fulfillment of  West is individualised, religion is primed to bring people back into communities and nurture that spirit of caring for each other and moving forward together to a collectively higher purpose. CHRISTIANITY: This is not a religion, this is a personal relationship with Jesus.  Hold out for a saviour who returns your texts, and not someone who has holy ghosted you. But he always answers prayers, it’s just that the answer is sometimes no. This seems more like a one-sided relationship that the imagined person, if he exists, doesn’t seem aware of? This is not so different from the phenomenon in modern celebrity culture— a parasocial relatio...

An insight into Multimodality: Mizayaki and the West

 Path-ian or Manner-ian Mannerian: Comparing the pioneers in character movement, more focused in the west, scenery bg: mostly stills (Totally Spice) Pathian: Focusing more on background and scenery in Japanese. Does your textual preference (path/manner centered) influence the perception of other modals (such as visual/auditory etc) Linguistic relativity

Creative writing workshop Alvin Ng

 It's the stuff that makes the world go round: human moments, human myths, transcending our limits and prejudices, rediscovering ourselves, laughing at ourselves and believing in our dreams. Eliza Esquivel-Ads Worth Spreading judge on behalf of TedTalk Magnify the stupidity of  If youre not in my shoes, u don't understand. Have you mugged someone before?  Yes.  When? One hour ago. Wtf. Chinese people can gangster, can do all things, but to say I love you to their parents, makes their bloody knees shake.  Storytelling is first and foremost a mindset before it is a skillset. It's more like story-sens a deep dive into the human experience, the human journey. It's a call to constant mindfulness. It almost become second nature Not moral to sit down when I sit If anyone don't have dreams and hopes he's not alive, if he doesn't have his  Perse A lot of heartbreak, family mainly.  No one would question your authority in storytelling. Creative alchemy: cross ge...