Skip to main content

Ldr

 To edit and humanise:



Loving her from far away feels like living between two worlds — the deep sea and the open air.


When we're apart, it’s as if I’m underwater. Most days, I move through life like a freediver sinking into the blue: focused, disciplined, and holding my breath. Down there, everything is muted — sound, colour, even emotion. The world feels slowed, heavy with pressure. I remind myself that I’m diving for a reason: to gather the pearls and treasures that will one day shape the life I want to share with her. That purpose keeps me steady. It keeps me swimming.


But the deeper I go, the more I must focus. In the depths, there’s no space for distraction or hesitation. Every second is borrowed air. If I lose focus, even for a moment, the weight of distance presses harder against my chest. That’s the risk of loving someone far away — one lapse, and it can feel like drowning.


Yet I keep diving because she is the surface.


Seeing her in real life again is like breaking through the water after a long, breathless descent. The instant I’m with her — hearing her laugh, feeling her presence, watching her exist in the same air as me — it’s as though oxygen floods back into my lungs. The world regains its colour, its warmth, its light. I remember what it feels like to be fully alive. On the surface with her, everything feels effortless. Natural. Right.


But I cannot stay on the surface forever. Life pulls me back into the depths, into the long swim of work, distance, and waiting. Still, each time I return to her, I rise stronger, carrying whatever I’ve gathered from the deep — more experience, more clarity, more resilience, more love to offer.


This is the rhythm of us: diving and surfacing. Holding my breath and then having it restored. In the silence below, I work for our future. At the surface, she reminds me why that future matters.


With her, I breathe. Without her, I dive — knowing that every descent is worth the moment I rise to her again.

Comments

Popular posts from this blog

ABSURDISM, EXISTENTIALISM, FREE WILL, POSTMODERNISM

 After the war, Introduction The first world war threw society into a state of disillusionment, and a fracturing of the staunch belief in morals became prominent, sparking literary advancements that challenged romantic ideals, advocating for a new perception of stability and sensibilities. In the poem Gerontion by T.S. Elliot, the modernist stance of fragmentation and the pursuit of purpose lies in man’s actualization of himself. Meanwhile, Samuel Beckett’s waiting for Godot written in the post-war environment of World War II can be viewed as an attack on modernism, rejecting its ideological claims to legitimise purposeful meaning that interprets the world of Estragon and Vladimir with a Grand Existential Narrative . Nonetheless, both these arguments provide a post-war lens that views life without inherent importance nor singular purpose/essence, resulting in the rise of ‘absurdism’— a search for answers in a world that offers no true answer . In this essay, the aforementioned conc...

Bredlik

 https://yeahwrite.me/writing-help-bredlik/ Bredlik isn’t as easy as it looks, folks. It’s a very tight form with very tight parameters. Technically bredlik is four lines (two rhyming couplets) in iambic tetrameter, or two stanzas of four lines each in iambic diameter with an ABCB rhyme scheme. The other thing that bredlik has going on is that the original poet took inspiration for the poem not only from the incident but from the fact that it happened in a re-enactor setting. So he used 18th century spellings (or reasonable facsimiles thereof) for some of the words.

Manglish and its Cina Particles

"The ubiquitous word lah ( [lɑ́]   or   [lɑ̂] ), used at the end of a sentence, can also be described as a particle that simultaneously asserts a position and entices solidarity.  Note that 'lah' is often written after a space for clarity, but there is never a pause before it. This is because originally in Malay, 'lah' is appended to the end of the word and is not a separate word by itself." SNEAKING SUSPICION: "lah" was originally from the Cantonese practicing south of China. The land of Malaya had relations with China since the Ming dynasty, when China was the protector of the Malaccan Sultanate (maybe even from the 5th-6th century), and the use of la as a sentence-suffix particle got integrated into the Malay language its formation, probably during the second phase is Early Modern Malay (1500-ca. 1850) that witnessed the indigenization of Arabic loan words, changes in the affix system, and a rather liberal word order.  Confirmation alternatives: ...